Anil chats with Chirodeep Chaudhuri as he sets up his exhibit at the Kala Ghoda Art Festival.
Supported by Project 88, Chirodeep’s exhibits transported explicit Graffitti from Mumbai’s local trains to the middle of Bombay’s Art District. It took Chirodeep Chaudhuri over six months of trawling Mumbai local trains on the Central Line to bring ‘home’, in more ways than one, how graffiti that lie still on walls enclosing commuter space actually intrude and shrink it. In their silence they etch noise. Much as they target women, they seek to concur with like minds while encouraging latent urges into manifesting visibly.









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