This song starts off in the scale of hindholam and deftly uses the root-note shift concept to have a few phrases in mohanam in charanam. The most baffling link (or its lack of) between the charanam and pallavi is the aalaap which winds down in mohanam but the pallavi starts in hindholam as its ShruthibhEdam. This once gain shows the complexity of thought but does not compromise on the melody due primarily to the beautiful voice of Chitra who goes on a roller coaster ride of swarasthanams and still extracts the nectar of melody.
In Part 2 of his analysis of Sharath’s music, Murali reviews the songs from the album Chaithra GeethangaL
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